Katie Wolf
Wake Forest associate gallery director Katie Wolf poses for a portrait in the Start Gallery in Reynolda Village on Wednesday, January 27, 2016.

Katie Wolf plays a key role in the Wake Forest arts community as Assistant Director of Hanes Art Gallery. However, her impact and involvement isn’t limited to the confines of campus. Katie talks us through her current job and all else to do with Winston’s burgeoning art scene. 

ASSISTANT DIRECTOR
HANES ART GALLERY

Winston Salem, NC
WFU Class of 2013
Major: Studio Art with Honors
Minor: Art History

DeacLink: Tell us about what you’re doing at the moment.

Katie Wolf: Currently, I am the Assistant Director of the Hanes Art Gallery at Wake Forest. I have many duties and responsibilities, but my favorite parts of my days are working with my student assistants and other art department majors. I also enjoy the parts of my job that require long-term strategic planning. I am also very proud to be on the board of Art Nouveau (ANWS), a group sponsored by the Arts Council of Winston-Salem to get young people more involved in the arts community.

DL: Please take us through your journey to your current occupation since leaving Wake.

KW: Since graduating in 2013, I was honored to receive a Wake Forest Fellow position as the START Gallery Manager, then I applied for and earned my current position at the Hanes Gallery.

DL: Did you always want to pursue the START fellowship? What steps did you take toward building up for the application throughout undergrad?

KW: I started working at the Hanes Gallery as a student assistant my sophomore year. Through that work, in addition to my classes in the art department, I met the gallery’s current director, Paul Bright, and START’s manager at the time, Marcus Keely. I developed a mentor/mentee relationship with both of them and decided at the end of sophomore year that the fellowship would be a great opportunity. I continued working at Hanes Gallery as well as at The Southeastern Center for Contemporary Art (SECCA) part-time and had summer internships in various organizations to build an applicable skill base. I think setting this goal early and developing a long-term plan was crucial to my success.

DL: How much did your studies or Wake in general inform or drive your career path?

KW: My studies completely informed and drove my path. Although I went to an arts based high school where I studied theater, I never considered studying visual art until my time at Wake Forest. I consider myself to be a product of a liberal arts education – without that kind of variety and flexibility I don’t think I would have found such a passion. I also had the opportunity to study management, which I have applied directly to my career.

DL: Prior to what you’re doing now, what other sorts of jobs have you had? How did you find and apply to them? (Internet career search engines, internal reference, agency, recruitment, Wfu resource, internship)

KW: Before Hanes Gallery and the START Gallery, I worked part-time as a student assistant at Hanes Gallery and at SECCA on the weekends. My summer internships were in the curatorial department at Greenhill Center, the education department at SECCA, and in the collections department at the Rock and Roll Hall of Fame + Museum in Cleveland. I found and applied for all of those internships online without any personal connections prior.

DL: What’s the hardest part about breaking into your field?

KW: The hardest part was simply to decided that this was it for me. Making a plan, studying, gaining skills and experiences, networking, and applying are all wonderfully fulfilling. It was the choice itself and the confidence to be comfortable with that choice was the hardest part.

DL: How did you like living and working in Winston-Salem?  How does your current experience compare to the time you spent as a student in the city?

KW: Winston-Salem is an awesome place to live and a totally different city to the one I vaguely knew of as a student. As a board member of ANWS and a volunteer for the Arts Council I’ve been able to work with many young and enthusiastic artists and patrons in the city, and I am proud of and excited for the future of this place. As a student within a talented and motivated peer group, it’s easy to think that the only measure of success is in New York, Chicago, or Atlanta. However, the cost of living here is unbelievable low (my rent is $396 a month), and that has afforded me a stable financial life. To already have savings, investments, and a retirement plan at 25 will give me more options and flexibility throughout my career. Of course, those are all things I didn’t consider as a student so I am happy to have somewhat fallen into those benefits and opportunities.

DL: What has surprised you the most about the art scene in W-S? Do you have any advice for students wanting to move/remain there?

KW: If you’re bored in Winston-Salem then it’s your own fault. I just looked at my calendar and this week alone I have two public lectures, a concert, a museum exhibition walkthrough and two dinners with people I met outside of the Wake Forest community. There are tons of people really working to make this place better, and there are many ways to get involved yourself. Being intentional and present is important anywhere you end up, but it’s easy to do in Winston-Salem.

DL: What’s the best kernel of advice you can think to pass on, or currently go by?
KW: Being decisive, diligent, and present are the most important qualities to cultivate.

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